Max Richter is a trailblazer in the world of contemporary music. Continuously re-imagining the possibilities and blurring the lines between genres, Richter has made a career of opening doors that once never existed. Recently, he has chosen the task of revitalizing a masterpiece of nearly three hundred years. Inspired greatly by the piece himself, Max used this project as an opportunity to bring The Four Seasons to the attention of 21st-century music lovers, and the result is a beautiful contemporary work with the spirit of 18th-century Vivaldi beaming throughout.
"...[Recomposed] goes to the soul of the piece and as a result we learn
not just about a new concerto, but we learn about Vivaldi as well."
- Daniel Hope, violinist
Richter picked his favorite bits of the score and reshaped them into "new objects", layering and looping familiar fragments to reinvigorate a work diminished by overuse in elevators, TV ads and as telephone "holding music". "I only kept about 25 percent of the notes but there's Vivaldi DNA in all of it," says Max.
Follow the links below to hear for yourself: