keeping the music of the past ALIVE!...from the Golden Eras of the 1920's, 1930's, 1940's, 1950's including Big Band, Dance Orchestras, Swing, Crooners, Nostalgic, Popular Artists and Harmony Groups plus Contemporary, Retro and Revival artists
Pack your bags, sit back, and take a ride on the Bakelite Express. A 40 track collection of some of the great, occasionally quirky, tunes of the 20's, 30's and 40's performed by the likes of Sinatra, Day, Garland, Fitzgerald, Astaire, Calloway, Ellington and Vallee as well as many others. With a lesser-known (and sometimes eccentric) supporting cast, there's no doubt that back in those days, they were really on to something.
Post Modern Jukebox's latest release: Addie Hamilton – who describes herself as “your grandma’s best friend” – in our swing remake of Jet’s “Are You Gonna Be My Girl“.
"It took hearing her sing exactly one phrase before I determined that Addie was absolutely perfect for PMJ. She’s truly an old soul, with a genuine love of all things vintage. She’s also incredibly accomplished for someone that is not yet 21 years old; she’s been nominated for an Emmy Award as a songwriter, and works quite a bit as a model and set designer in her spare time." ...PMJ site See more at: Post Modern Jukebox
Video of The Bluejays performing their cover of Buddy Holly's "Early In the Morning" featuring "The Glamophones".
The Bluejays formed in 2013 after years of performing together in West End rock ‘n’ roll theatre shows such as ‘Buddy – The Buddy Holly Story’, ‘Dreamboats & Petticoats’, ‘Save The Last Dance For Me’ and ‘Return To The Forbidden Planet’. Since then they have played hundreds of gigs all over the world offering the world’s finest vintage rock ‘n’ roll experience for any type of event – private parties, weddings, corporate functions, theatre press nights and festivals. Their set list is made up of hit after hit from the likes of Elvis Presley, Eddie Cochran, Chuck Berry, Buddy Holly, The Everly Brothers, Gene Vincent, Little Richard, Ritchie Valens, Dion and many more and is guaranteed to have audiences up and dancing all evening. See more on their WEBSITE
Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920's alone." Nichols had good technique, could read music, and easily got session and studio work. In 1926 he and Miff Mole began a prodigious stint of recording with a variety of bands, most of them known as "Red Nichols and His Five Pennies". Very few of these groups were actually quintets; the name was simply a pun on "Nickel", since there were "five pennies" in a nickel. "That was only a number we tied in with my name", Nichols once explained. "We'd generally have eight or nine [musicians], depending on who was around for the session and what I was trying to do."
Nichols recorded over 100 sides for the Brunswick label under that band name. He also recorded under a number of other names, among them, The Arkansas Travelers, The California Red Heads, The Louisiana Rhythm Kings, The Charleston Chasers, Red and Miff’s Stompers, and Miff Mole and His Little Molers. Some weeks, Nichols and his bands were making 10–12 records a week. His recordings of the late 1920's are regarded as the most progressive jazz of the period in both concept and execution, with widely-ranging harmonies and a balanced ensemble.
Dick Haymes was born in Buenos Aires, Argentina in 1918. He became a vocalist in a number of big bands, worked in Hollywood, on radio, and in films throughout the 1940's/1950's.
Though never achieving the immensely popular status of fellow baritone crooners like Bing Crosby, Frank Sinatra, or Perry Como, Haymes was nonetheless just as respected for his musical ability. On September 3, 1942, Sinatra introduced Haymes on radio as Sinatra's replacement in the Tommy Dorsey band. Prior to joining Dorsey's group, Haymes sang with the Harry James orchestra.
In 1945 Haymes co-starred with Jeanne Crain, Dana Andrews and Vivian Blaine in the musical State Fair. He teamed with female vocalist Helen Forrest for many hit duets during World War Two, including "Together," "I'll Buy That Dream," and "Long Ago and Far Away"; he sang with Judy Garland on two Decca recordings of songs from the film The Shocking Miss Pilgrim, in which he appeared with Betty Grable.
He paired repeatedly with the Andrews Sisters (Patty, Maxene, and LaVerne) on a dozen or so Decca collaborations, including the Billboard hit "Teresa," "Great Day," "My Sin," and a 1952 rendering of the dramatic ballad "Here in My Heart," backed by the sisters and Nelson Riddle's lush strings. His duets with Patty Andrews were also well received, both on Decca vinyl and on radio's Club Fifteen with the sisters, which he hosted in 1949 and 1950. He also joined Bing Crosby and The Andrews Sisters for 1947 session that produced the Billboard hit "There's No Business Like Show Business," as well as "Anything You Can Do (I Can Do Better)." His popular renditions of tender ballads such as "Little White Lies" and "Maybe It's Because" were recorded with celebrated arranger Gordon Jenkins and his orchestra and chorus.
This 40 track collection of French chansonniers will take you back to the heady days of the early to mid 20th Century when the cafes of Paris were alive with singing and dancing and the celebrated Rive Gauche was the place to be. This selection of singers and their trademark songs featuring Serge Gainsbourg, Charles Aznavour, Edith Piaf and Jacques Brel, will explain why French popular music of the period continues to exert an enduring appeal.
If you enjoyed the first installment in this series (see previous post here) then this second volume will please you even more. 51 tracks of classic nostalgia from the 1920's, 30's and 40's with artists such as Anne Shelton, Bing Crosby, Kay Thompson, Greta Keller, Dick Todd, "Hutch", Chick Henderson, Comedy Harmonists, Al Bowlly, Fats Waller and a host of others. So wind up that gramophone, sit back in your favorite armchair in front of an open fire, and just cast yourself back to those times when these tunes were the hits of their day.
Eddie Lang and Joe Venuti were masters of their instruments (guitar and violin, respectively). They were pioneers in the "string swing" type of jazz, almost a decade before Django and Stephane Grappelli started doing it over in France (admitting to have been influenced by Lang and Venuti). Only a few of the selections on these two discs are popular tunes of the day, most of the others are compositions of those performing (and it's not just Joe Venuti and Eddie Lang--we also hear Jimmy Dorsey, Frankie Trumbauer, Rube Bloom, Adrian Rollini, and some others on some of the "Blue Four" tracks). These recordings were ahead of their time, and they hold up remarkably well today. Thanks to the excellent remastering by John R. T. Davies, the recordings sound fresher than other re-issues. Joe Venuti's high-pitched harmonics come through sparkling clear as a bell, and Adrian Rollini's bass sax is so warm and rounded, it's the best thing we have to hearing the group perform live. Most of the tracks on the disc have the same overall texture. If you like one, you'll like 'em all. Disc: 1 1. Black And Blue Bottom - Eddie Lang/Joe Venuti 2. Stringing The Blues - Eddie Lang/Joe Venuti 3. Stringing The Blues - Eddie Lang/Joe Venuti 4. Wild Cat - Eddie Lang/Joe Venuti 5. Sunshine - Eddie Lang/Joe Venuti 6. Doin' Things - Eddie Lang/Joe Venuti/Arthur Schutt 7. Goin Places - Eddie Lang/Joe Venuti/Arthur Schutt 8. Kickin' The Cat 9. Beatin' The Dog 10. Cheese And Crackers 11. A Mug Of Ale 12. Penn Beach Blues - Joe Venuti/Don Murray/Frank Signorelli/Eddie Lang/Justin Ring 13. Four String Joe - Joe Venuti/Don Murray/Frank Signorelli/Eddie Lang/Justin Ring 14. Dinah 15. The Wild Dog 16. The Man From The South 17. Pretty Trix 18. Doin' Things 19. Wild Cat 20. The Blue Room 21. A Sensation click here for more information Disc: 2 1. My Honey's Lovin' Arms 2. Goin' Home 3. Runnin' Ragged (Bamboozlin' The Bassoon) 4. Apple Blossoms 5. Raggin' The Scale 6. Put And Take 7. Put And Take 8. The Wild Dog 9. Really Blue 10. I've Found A New Baby 11. Sweet Sue-Just You 12. Pardon Me Pretty Baby 13. Little Girl 14. Little Buttercup (I'll Never Be The Same) 15. Tempi Di Modernage 16. There's No Other Girl - Joe Venuti's Rhythm Boys 17. Now That I Need You You're Gone - Joe Venuti's Rhythm Boys 18. The Wolf Wobble - Joe Venuti's Rhythm Boys 19. To To Blues - Joe Venuti's Rhythm Boys 20. Doin' Things - Joe Venuti's Rhythm Boys 21. Wild Cat - Joe Venuti's Rhythm Boys click here for more information
Jazz starlet Bexi Owen has recorded
her velvet voice in aid of a very worthy cause - to raise funds for her dementia
project. Bexi started the project at the start of the year to help
those with dementia. Entitled 'Forget Me Never' it aims to use music and
authentic vintage memorabilia in order to help with memory function and
encourage social interaction.
Bexi explains, "I started the project after singing at
a wartime memorial event and seeing how amazingly members of the audience who
had dementia responded to the music. So I decided to set up on my own,
delivering sessions at community centres across the country."
"When raising initial funds I set up a crowdfunding
campaign and played an accompanying live tour, the support for both was
overwhelming and so many people got in touch with their own stories. To keep
the project going I thought it might be a nice idea to record some of the jazz
classics that I sing during the sessions so I did!"
As well at the project, Bexi has been very much in demand
with recent shows in Switzerland and Spain as well as performing at many
festivals and the National Vintage Awards which she was named Best Performer at
Beauty and the Beat! is a mostly live (yes, mostly live) album by the great Peggy Lee with the equally talented George Shearing at the piano. It's interesting that they recorded introductions to these songs after the live concert was recorded. However, despite this unusual feature this disc is extremely pleasing to the ear. Peggy sounds just great here and George plays his piano wonderfully. We also get two bonus tracks that apparently were not on the record album release of this recording; Peggy and George perform "Nobody's Heart" and "Don't Ever Leave Me." For decades we've been listening to the live-in-concert "Beauty and the Beat" and hearing a studio project with applause, announcements and low volume audience chatter dubbed in. Now all the distractions have been removed, along with the echoey sound necessary to make it all sound live, and what we have is a beautiful, detailed collection with great depth never before apparent. In the previous version Peggy sounded like she was socking it over to an enthusiastic audience; now, with the very same recordings, she sounds intimate and close. Shearing sounds the same--totally engaging and delightful.
Anyone who knows R. Crumb’s work as an illustrator knows of his passion for music. And all those who collect his work prize the Heroes of the Blues, Early Jazz Greats, and Pioneers of Country Music trading card sets he created in the early to mid 1980's. They have been packaged together in book form, along with an exclusive 21-track CD of music selected and compiled by Crumb himself (featuring original recordings by Charley Patton, “Dock” Boggs, “Jelly Roll” Morton, and others). A bio of each musician is provided, along with a full-color original illustration by the cartoonist. A characteristically idiosyncratic tribute by an underground icon to the musical innovators who helped inspire him, R. Crumb’s Heroes of Blues, Jazz & Country is a must-have collection for Crumb aficionados, comics fans, and music lovers alike.
This is the album that put Brasil'66 on the map and transformed Sergio Mendes from a respected jazz pianist to an international pop star. It's been called some of the best samba music of all time with its rich and full production. Herb Alpert knew what he was onto when he gave this album kudos back nearly 40 years ago, and the album has maintained its greatness all through the decades. The album is a milestone for Bossa Nova and for what was going to be known as Brazilian Jazz; no serious Bossa Nova collection would be complete without this jewel by Maestro Sergio Mendes. 1. Mais Que Nada 2. One Note Samba / Spanish Flea 3. The Joker 4. Going Out Of My Head 5. Tim Dom Dom 6. Day Tripper 7. Agua De Beber 8. Slow Hot Wind 9. O Pato 10.Berimbau click here for more information
New York based artist, Joanne Weaver, has released her second studio album, Interstellar Songbook II, the anticipated sequel to her debut album, Interstellar Songbook, that she independently released in 2012. Weaver’s new album consists of nine American songbook classics that she personally curated from the archives of the 30's, 40's, 50's and 60's, transforming them to modern-day trip hop lounge songs with glitchy electronic beats and dark orchestration. The Ticker says,“With a voice as velvety as the curtains that hug the stage, Weaver is not to be missed.” See previous post here: Sultry Songstress Joanne Weaver releases steamy new music video "Sway" Marty's review: Joanne Weaver's 2nd album, Interstellar Songbook II, continues in the vein of her first release with a collection of jazz and nostalgic standards that are done with a contemporary sound and feel that will appeal to all lovers of cool jazz, nostalgic sounds and contemporary jazz-pop. With a voice that's silky, smooth and sultry, Joanne takes these standards and puts her own twist on them by creating a whole new dimension to the arrangements yet still keeping the timeless appeal and romance of the originals. Listen to classic tunes like "Begin the Beguine", "Moonlight Serenade" and "As Time Goes By" and see if you can't listen to them in a new and refreshing style that will have you up slow dancing and leave you breathless for more. RECOMMENDED IF YOU LIKE:
Lana Del Rey, Florence + The Machine or Ella Fitzgerald
60 Menacing Masterpieces of Mystery, Murder and Mayhem
Few genres of cinema are as striking and iconic as Film Noir. A dangerous cocktail of crime, gangsters and femme fatales, the music that accompanied the pictures was just as devastatingly beautiful. Composers such as Henry Mancini, Alex North, Miles Davis, Elmer Bernstein, Chico Hamilton, Lalo Schifrin, Art Blakey, John Barry, Leith Stevens, John Lewis and Duke Ellington guide you through darkly lit bars and hazy streets on this 3 disc set. Bringing together the many musical styles that have brought musical atmosphere to the world of movies, here you will find the works of many composers performed by many of the finest jazz and orchestral performers. Quite a lot of the numbers included could be familiar especially if you are a film goer but there are plenty you may not instantly recognise...the question is will you check them out on line and perhaps get the film because of the music?
Golden Days Radio has a music format that has broad appeal for people of any age who have an affection for and appreciation for the nostalgic sound of radio as it used to be from the 1930's into the 1960's. These days, “talk back” radio has reduced or completely removed the music content from many radio stations and numerous listeners to today’s radio usually have only two choices of radio programming - talk back, or music that they do not understand or enjoy. Hence, the unique sound of Golden Days Radio which is carefully formulated to fill the void. the nostalgic sound of radio as it used to be heard from the 1930's to the 1960's. So it's on the music and radio style of those years that Golden Days Radio mainly concentrates, with some attention given to music outside those parameters provided it is of good lyrical and melodic quality and of an evergreen standard which falls kindly on the ear. Many listeners attracted to this type of sound also value the light classics, operetta, ballads and musical comedy and there is a place for these genres too, in the Golden Days’ range of musical styles. See more on website or click radio below to stream live.
In hundreds of performances since 2003, Firecracker Jazz Band has played everywhere from street corners, speakeasies, jazz festivals from coast to coast, beer-soaked dance halls, Bonaroo and the Kennedy Center. Based in the beautiful confluence of plentiful music and majestic mountains that is Asheville, N.C., a performance by Firecracker Jazz Band is not to be missed. With jubilant vigor that spills from the stage to the streets, these six musicians revitalize traditional jazz with unbounded energy. In paying homage to the pioneers of early 20th Century Jazz, including that of Dixieland and New Orleans, Firecracker Jazz Band carries the torch that was once lit by such greats as Jelly Roll Morton, Louis Armstrong & Bix Beiderbecke.
Sultry pop vocalist Joanne Weaver releases the video for her latest single “Sway” off of her upcoming album, Interstellar Songbook II, that is set to release March 31, 2015. “Sway” is the fourth music video that Joanne Weaver has created with Director John Byrne, who has also directed and/or choreographed for Florence + the Machine, David La Chapelle and Mariah Carey. Joanne takes classic jazz standards and creates a fresh, contemporary version with her own unique style.
The sensuality of the “Sway” video accentuates the passionate lyrics and Weaver’s vocals that the Examiner says, “will transport the listener to a 1940's supper club in farthest reaches of Pluto.” First made popular in 1954 by Dean Martin, check out Joanne's modern-day electro twist on this mambo classic and her steamy video that goes along with it.
Joanne has been featured on this blog previously. CLICK HERE to view the original post. See more on Joanne here at her official website.